A young man comforts his older brother's wife and children after he goes missing in Afghanistan.
Director:
Jim SheridanWriters:
David Benioff (screenplay), Susanne Bier (motion picture "Brødre"), 1 more credit »Storyline
Before leaving on his second tour in Afghanistan, Marine Captain Sam
Cahill, a leader, an athlete, a good husband and father, welcomes his
screw-up brother Tommy home from prison. He'd robbed a bank. In country,
Sam's helicopter is shot down and all are presumed dead. Back home,
while Sam wastes away as a prisoner in a remote encampment, Tommy tries
to take care of the widow and her two children. While imprisoned, Sam
experiences horrors unbearable, so when he's rescued and returns home,
he's silent, detached, without affect, and he's convinced his wife and
brother have slept together. Demons of war possess him; what will
silence them? Written by
<jhailey@hotmail.com>
User Reviews
a generally faithful remake of the Danish original
"Brothers" is an
American remake of an excellent Danish drama from 2004. As the title
suggests, the story centers on two male siblings who are essentially
polar opposites of one another. Sam (Tobey Maguire) is an upright family
man and lifelong Marine who has already served one tour in Afghanistan
and is all set to embark on a second. Tommy (Jake Gyllenhaal) is a
ne'er-do-well ex-con who's released from prison on the very same week
Sam is being re-deployed to the battlefield, leaving a wife (Natalie
Portman) and two young daughters (the delightful Bailee Madison and
Taylor Grace Geare) behind at home. When news comes that Sam has been
killed in a helicopter crash, Tommy is there to help pick up the pieces,
leading to some potential romantic complications between him and his
brother's grieving widow, Grace. But that turns out to be only half the
story, as anyone familiar with the Danish version already knows.
Written by David Benioff and directed by Jim Sheridan, "Brothers" follows the original fairly closely in terms of outline and incident, focusing on one man's attempts to turn his life around after making a mess of things, and another's efforts to come to terms with an action he performed under duress that his conscience will clearly never allow him to live with. The complex relationships among the three principal players - along with Sam's Post-Traumatic Stress Disorder - are dealt with in an adult and thoughtful fashion, with a minimum of melodrama and nary a hint of sensationalism. The conflicts are further exacerbated by the men's father (Sam Shepherd), a hardnosed Vietnam vet whose personal preference for Sam over Tommy has been evident to both boys from very early on in their lives.
"Brothers" reveals its European roots in its more deliberate pacing, its emotional complexity, its lack of judgment towards its characters, and its willingness to leave some loose ends hanging at the end. Maguire and Gyllenhaal are both excellent as the two torn brothers trying to stay close despite their differences - as are Portman, Shepherd and Mare Winningham as the boys' loving and conciliatory step mom whose calming influence over her husband goes a long way towards ameliorating some otherwise potentially volatile situations.
Written by David Benioff and directed by Jim Sheridan, "Brothers" follows the original fairly closely in terms of outline and incident, focusing on one man's attempts to turn his life around after making a mess of things, and another's efforts to come to terms with an action he performed under duress that his conscience will clearly never allow him to live with. The complex relationships among the three principal players - along with Sam's Post-Traumatic Stress Disorder - are dealt with in an adult and thoughtful fashion, with a minimum of melodrama and nary a hint of sensationalism. The conflicts are further exacerbated by the men's father (Sam Shepherd), a hardnosed Vietnam vet whose personal preference for Sam over Tommy has been evident to both boys from very early on in their lives.
"Brothers" reveals its European roots in its more deliberate pacing, its emotional complexity, its lack of judgment towards its characters, and its willingness to leave some loose ends hanging at the end. Maguire and Gyllenhaal are both excellent as the two torn brothers trying to stay close despite their differences - as are Portman, Shepherd and Mare Winningham as the boys' loving and conciliatory step mom whose calming influence over her husband goes a long way towards ameliorating some otherwise potentially volatile situations.